Mazzy Star in Seattle, Nov. 4, 2013.
It didn't seem like it was turning into such a lucky day, after all. Driving from Vancouver BC to Seattle for the Mazzy show I was kept waiting at the U.S. border 3 hours Monday afternoon (it's lucky I left home early) & was convinced U.S. Customs & Border Patrol were not going to let me across the border as some (Canadian) computer error mistakenly showed my ''enhanced'' drivers license (one Canadians can go across the border with in lieu of a passport) as being invalid. I was starting to think I could probably count myself fortunate if they simply allowed me to turn around & drive home. But amazingly, they let me in. Mazzy Star, here I come!
The Neptune Theater is a nice venue, small, dating back to 1921 with what looks like period decor & ornamentation. It used to be a movie theater.They've left the balcony seats intact, but have removed all the theater seats on the main floor. So in front of the stage it's standing room. I was about 20 feet from the stage just left of center. As usual, the stage was darkened, but I was close enough I could make out a ghostly Hope in a blue dress fairly well, & could catch things like her rolling her eyes upward as she likes to do sometimes. I agree with the Portland reviewer that Hope's voice is in fine form. In fact, I think what I heard Monday from Hope sounds better than any recordings I've heard from 2012 when her voice often seemed a little rough, imo. She also looks different than in 2012. Today, she's 1990s slim again, her fatty face of 2012 is transformed, & she's about as lovely as ever, as far as I can tell. Superficialities, I know. It's the writing & singing that's really important. But hey, if there's physical beauty to behold, I like to behold it! Hope's got it.
As Emma mentions, Colm O'Ciosoig isn't part of the current touring band. They have a new male bass player, but I don't know who he is. He also plays violin on Into Dust. The now deceased Will's violin was an important part of Mazzy's sound, imo, so it's good they're bringing back the violin. As always, Keith was on drums, & Suki on keyboards & second guitar. Josh Yenne played steel guitar, & second guitar as he did in 2012. On Halah, there were three guitars playing at once. I was surprised that the most moving instrumental sounds to my ears did not come from David's guitars as I'd have expected. Instead, the high point for me in that regard was hearing Josh's steel guitar live in that venue on Lay Myself Down. Other worldly, almost. I love the sound of the steel guitar on the studio version too. One small complaint for me is when David was playing acoustic slide that his guitar volume wasn't cranked up higher in the mix.
Unlike the Portland show where the reviewer says no band member said a word to the audience, in Seattle Hope spoke. It was sound problems, a pet peeve of hers, that got her sounding off. The second song, Cry Cry couldn't get started properly 'cause David's guitar amp was giving him problems. That got her going for a while, & also seems to have helped cause her to start the song in a new way with an impromptu harmonica solo before she started singing, which was fun to hear.
I'd not seen any music shows in Seattle before, but was pleasantly surprised at how appreciative & respectful the audience was of all the artists, even the two opening acts, Mariee Sioux (beautiful voice), & The Entrance Band (lots of reverb-like space-psychedelic guitar.They were pretty good too), & were quiet instead of chattering loudly through sets as is too often the case in other cities. Thank you Seattlers, for that. Has some Canadian politeness rubbed off on our neighbors just to the south of us, nearby, I wonder?
Rather than hearing yet more renditions of Mazzy's best known & most performed songs (not that I don't think they're excellent) I'd have been happier hearing more songs from the new album, or else infrequently done songs, or unreleased ones, including never-before-heard ones. They did Taste of Blood in Portland. That's one I'd like to hear.
As Mike says, smaller halls seem to suit the band best, as they themselves have said, rather than clubs or large festivals,etc. I think Hope sings better in small halls compared to some of her festival performances last summer.
My attempt to upload my recording of the show to FileFactory failed. Maybe the file was too large. So, I'm upping it to the 4-shared site instead. Meanwhile, my upload to Youtube of the show can be heard here:
http://youtu.be/Fa96waqcEaI(update: Check the Boots list thread here for a new DL link to an audio file of the Seattle show. I'll be upping it to dimeadozen.org torrent site soon too.)