A review of the L.A. show at the Wiltern Theater, Nov. 7:
http://consequenceofsound.net/2013/11/m ... um=twitterIt also gives the long setlist:
1 Look on Down from the Bridge
2 Cry, Cry
3 In the Kingdom
4 Lay Myself Down
5 Ride it On
6 Does Someone Have Your Baby Now?
7 Into Dust
8 She Hangs Brightly
9 Halah
10 Fade Into You
11 Blue Flower
12 Disappear
13 Flying Low
Encore:
14 California
15 So Tonight That I Might See
[Later update edit: The above set list appears to have been taken from a set list printout used by the band onstage, but is not what the band actually played. They ended up not doing Flying Low, & did a second encore after Tonight That I Might See which was I've Been Let Down]
The reviewer mentions what forum member ForceofNature also mentioned something about in another thread, i.e. that people ignored the signs forbidding photography. Worse, they left their flash on, resulting in Hope complaining. By contrast, in Seattle I saw a few people take non-flash photos (I tried to take a few too), but not one flash went off during the show. I doubt the band would even mind photos if people would simply turn their flash off, & maybe not take photos from right up close to the stage.
More reports of audience behaviour at venues this tour:
- Here's a quote from comments at my Dime upload from someone else who attended the Wiltern show:
''...Unfortunately, L.A. was plagued by heavy drinkers that brought their outside voices. Nice "longish" set. I will get it up as soon as time and work permits.''
(Good, so, he's planning to up his recording of the show to Dime, & he also says prior recordings of bands he recorded turned out really well).
-A quote from someone who was at the SF show:
''I attended the Warfield (Theater) SF show, and it was a pretty stellar crowd. During the quieter numbers, the hall was as silent as I have ever heard at a concert...''
(In Seattle, the audience was very quiet during the louder numbers too)
-Someone else made a general comment about Seattle audiences vs. SF ones:
''... I've found people in Seattle to generally have a better appreciation of music than I'm used to. I just moved here over the summer from San Francisco... and the difference is noticeable at shows...''
It sounds like the most obnoxious & noisiest audience so far on this tour was in Sacramento at Harlow's nightclub. The rest of shows have been at theaters or at a vintage ballroom (in Portland). This may be further evidence Mike's correct about nightclubs bringing out the worst in audiences. Madub' s comments re. Toronto venues reminds me of the Warm Inventions recording from 2002 from Lee's Palace (nightclub?), Toronto, where the audience chatter bothers Hope so much she asks for the sound volume ''in the house'' to be turned up to drown out the voices. They do turn up the volume, but unfortunately the raised volume distorts the sound on the recording, & the rest of the show doesn't sound as good after that.
I suspect it's true audience behaviour's influenced by venue, as Mike says. But I think ''local attitudes'' are a factor too. e.g. L.A.'s sounds like it may have been the least tolerable audience among the theater shows, so far. Also, I doubt the open hostility Hope & the Warm Inventions were subjected to in Boston a few years back at The Paradise Rock Club (btw, Why would Mazzy Star play the same club this tour?) would have occurred in many other cities. I can't forget a Hope quote from that Boston gig: QUOTE: ''Boston is fuckin' scaring the Hell out of us!''
-update - Another L.A., Wiltern show review, Hollywood Reporter:
http://www.hollywoodreporter.com/review ... ing-654619